"I
felt like a monster reincarnation of Horatio Alger: A man on the move,
and just sick enough to be totally confident." - Hunter S Thompson
The Rum Diary is not a piece of Gonzo journalism, for it was written in the late 50s when Hunter S Thompson was in his early 20s. But
what is Gonzo?
The particular brand which Dr Thompson dabbled in was as strenuously
subjective and participatory as it is wild, this is where flat-out
fantasy meets accurate reportage. The good Doctor filtered reality
through a freakish mania sustained or possibly endured with the help of
copious amounts of (both legal and illegal) substances. For Gonzo the
claims of 'objectivity' which permeate American journalism are false and
absurd, the blind-spots of which provide room for people such as
Richard Nixon to slither into public office. Instead Gonzo
wallows in its own subjectivity, it oozes provocative opinion as well as
hard fact and comment meshed together with just the kind of sordid
thoughts that will shock the squares. For Thompson journalism is nothing more than "a cheap catch-all for
fuckoffs and misfits — a false doorway to the backside of life, a filthy
piss-ridden little hole nailed off by the building inspector, but just
deep enough for a wino to curl up from the sidewalk and masturbate like a
chimp in a zoo-cage."
Going
by the trailer of the film adaptation it would seem that the director Bruce
Robinson (another seasoned drinker) had sought to extrapolate the Gonzo
style throughout the story from the early hints of Gonzo
lurking in the work. Undeniably
there are the early signs of Gonzo in the piece, the drunken adventures
of Paul Kemp in Puerto Rico carry the same filthy and sinister tones to
them as in Thompson's later works. The language is simple, as well as
wild and precise on the important details. Just as in The Kentucky Derby is Decadent and Depraved
the reader is left waiting for the major event which never actually
comes. Instead the almost masturbatory run-up to the event becomes the
central focus of the piece. The derby is never covered in the sports
article Thompson wrote. The Gonzo style of the narrative is complimented
with the ultra-surreal and grotesque illustrations of English artist
Ralph Steadman, who was out of his face on psilocybin at the time. The
assignment was botched and Thompson saw it as a brutal failure, until he
received wave-after-wave of positive feedback.
In Fear and Loathing in Las Vegas
the reader only sees the beginning of the motorcycle race that Thompson
was sent to cover in Nevada. Instead the depraved duo of Hunter S
Thompson and Oscar Acosta became Raoul Duke and Dr Gonzo, the mad trip
through Las Vegas which followed was likened to a "savage journey to the
heart of the American dream". The American Dream does not seem to be
covered in any way other than some abstract analogy between all-American
ideas and the cultural revolution of the 60s which had died by the early 70s. Perhaps it is the journey itself which falls short of finding the Dream. In The Rum Diary
there is no sidekick for Paul Kemp, at least not to rival Oscar Acosta
and Ralph Steadman. The role of the foreign compatriot in these
instances is not to provide a domesticated semi-by-standing assistant to
the character arc of a white man, rather Acosta became a full
participant in the story just as Thompson did. Oscar Acosta was a
radical lawyer who went on the road with Hunter S Thompson to Las Vegas
where their antics were immortalised in Fear and Loathing.
The hints of a politically conscious youth can also be found
in The Rum Diary, there are references to the "rise of
communism",
discouraging events in Cuba and the brutality of capitalism. The
McCarthyite
atmosphere of the day is captured as the newspaper is owned by a man
named
Lotterman, an ex-communist who attacks anything remotely left-ish to
prove
himself as a reformed character. Power is consistently portrayed as
sleazy,
amoral and self-interested. The politics of Thompson were one part
ultra-leftist sentiment, one part Democrat and three parts Freak Power.
As a man of contradictions Thompson was at once facing the liberal
establishment and the radical strand of American populism. So he can
support JFK and Jimmy Carter at the same time as he launches into
vociferous attacks on Richard Nixon. In his dedication to George
McGovern he set out to destroy all Democratic opposition with his
typewriter, before moving on to do the same to the Republican
candidates. In the end it was all or nothing for the good Doctor, he
gave up the ghost before he got to see the first African-American walk
into the White House as President. In the end it was all fear and loathing...
"The race is not to the swift, nor the battle to the strong, but to those who see it coming and jump aside." - Hunter S Thompson
No comments:
Post a Comment